Rosalía wins collection of the year, and leaves a mark on the world, at 2022 Latin Grammy Grants

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Rosalía wins collection of the year, and leaves a mark on the world, at 2022 Latin Grammy Grants
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Rosalía wins collection of the year, and leaves a mark on the world, at 2022 Latin Grammy Grants

On a night where the world’s greatest pop star was prominent by her nonappearance, state of the art flamenco-pop vocalist Rosalia snatched the spotlight Thursday by wandering off with the sought after Collection of the Year grant at the 23rd Latin Grammys.

Rosalía turned into the primary lady to two times win for collection of the year. Before Thursday’s triumph for her acclaimed “Motomami” LP, the 30-year-old Barcelona local asserted the award in 2019 for her sophomore collection, “El Mal Querer.”

The phantom of Awful Rabbit, who skipped Thursday night’s function to act in Medellín, Colombia, tormented the Michelob Ultra Field in Las Vegas. As the most named craftsman of the evening, the Puerto Rican vocalist and rapper won in four out of 10 classifications, all in the field of música urbána: metropolitan tune and metropolitan combination/execution for “Titi Me Preguntó,” rap/hip-jump tune for “De Museo” and reggaeton execution for “Lo Siento Bb:/,” with Tainy and Julieta Venegas.

Jorge Drexler, a Uruguayan specialist who denounced any kind of authority as a vocalist lyricist during the ’90s, brought back home six honors, increasing his lifetime Latin Grammy build up to 13.

“Are you certain?” Drexler asked the moderators on Thursday, after getting the distinctions for both record and tune of the year for “Tocarte,” his percussive joint effort with Spanish rapper C. Tangana.

Similar as his acknowledgment discourse in 2018, when his melody “Telefonía” caught similar two distinctions, Drexler seemed dazed at his fortune, having closed out his diagram besting rivals Awful Rabbit and Rosalía. “I need to devote this honor to the people who make metropolitan music,” he announced. “You have taken the language, the Spanish language, to puts in the world that we had never reached.”
The actual show continued with a similar friendly soul, saturating the transmission with such a lot of harmony, love and great energies that one could nearly fail to remember that Latin Grammys are a rivalry. This was to a great extent because of the cheerleading of the hosts, a Unified Countries of pop geniuses: Anitta, from Brazil; Thalía, from Mexico; Luis Fonsi, from Puerto Rico; and Latin America’s generally dearest Italian, Laura Pausini.

The last three started off the merriments with an operatic interpretation of “Si No Te Hubieras Ido,”
initially performed by Mexican entertainer Marco Antonio Solís, the 2022 Man of the Year. Situated with his better half and little girls, Solís was likewise respected with exhibitions by Mexican specialists Sin Bandera and Carin León, who belted “¿A Dónde Vamos A Parar?” trailed by Goyo, Aymée Nuviola and Gente De Zona, who molded a tropicalized variant of “Más Que Tu Amigo.”

Solís made that big appearance to play out his own melodies, with the local hints of Mariachi Sol de México de José Hernández — and obviously, with the band that began everything, his adored assenting siblings Los Bukis. As Solís acknowledged the lifetime accomplishment grant, he conferred a cut of shrewdness for more youthful specialists who dream to be from his perspective one day. “I never surrendered what I love to do. I think a directive for the young see us, that they don’t surrender what they love to do.”

Cuban vocalist musician Angela Álvarez had comparative feelings; at 95 years of age, she turned into the most seasoned Latin Grammy champ ever on Thursday, sharing the best new craftsman grant with 25-year-old Mexican non mainstream artist Silvana Estrada. Álvarez moved to the US from Cuba during the 1960s, and functioned as a cleaner for a really long time as she subtly fiddled with boleros at home. It was her grandson who at last urged her to record the assortment of melodies that carried her to the Latin Grammys.

“To the individuals who have not satisfied their fantasy, despite the fact that life is troublesome, there is dependably an exit plan, and with confidence and cherish you can accomplish it,” said Álvarez. “I guarantee you, it’s rarely past the point of no return.”

21 years after her 2000 collection “Mi Reflejo” won the Latin Grammy for female pop vocal collection, Ecuadorian American diva Christina Aguilera won the distinctions for pop vocal collection (conventional) on Thursday for her 2022 Spanish-language collection, “Aguilera.” Elitists might resent the pop singer’s intemperate re-visitation of Latin music — as they have other U.S.- conceived Latinas, like Selena Gomez and Becky G — yet Aguilera’s presentation on Thursday night demonstrated a reverberating triumph. Despite the fact that she acknowledged her honor in English — an untouchable at these honors, laid out as an option to the anglophone-predominant Grammys — Aguilera sang circles around territorial Mexican vocalist Christian Nodal during their joint mariachi number, “Cuando Me Dé la Gana.”

It wouldn’t be an entertainment expo worth watching without some succulent grain for the pop stars watching at home: Rosalía, clad in red cowhide and dark vinyl, picked to play out a buggy version of her lascivious piano number, “Hentai” — and laughed as she heard her own F-bomb discernibly bleeped out for the broadcast. She then, at that point, walked all over the walkway searching for her blue-haired lover, Rauw Alejandro, as they moved near her merengue-pop single “Despechá”; Alejandro used some great dance moves of his own prior in the evening, when he performed tunes from his techno-filled new collection, “Saturno” — and enrolled the covered American hip-bounce company Jabbawockeez as his reinforcement artists.

However for Rosalía, her renowned success would allure her back to the same old thing. Finishing up a victorious evening during which she won four Latin Grammys altogether, she gripped her collection of the year prize and gave a to some degree threatening message to her makers: “See you tomorrow in the studio!”

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